US3897708A - Electrically operated musical instrument - Google Patents

Electrically operated musical instrument Download PDF

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Publication number
US3897708A
US3897708A US472688A US47268874A US3897708A US 3897708 A US3897708 A US 3897708A US 472688 A US472688 A US 472688A US 47268874 A US47268874 A US 47268874A US 3897708 A US3897708 A US 3897708A
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Prior art keywords
contacts
keys
generators
group
switch
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Expired - Lifetime
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US472688A
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English (en)
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Yoshiro Suzuki
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/18Selecting circuits
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2230/00General physical, ergonomic or hardware implementation of electrophonic musical tools or instruments, e.g. shape or architecture
    • G10H2230/045Special instrument [spint], i.e. mimicking the ergonomy, shape, sound or other characteristic of a specific acoustic musical instrument category
    • G10H2230/155Spint wind instrument, i.e. mimicking musical wind instrument features; Electrophonic aspects of acoustic wind instruments; MIDI-like control therefor
    • G10H2230/205Spint reed, i.e. mimicking or emulating reed instruments, sensors or interfaces therefor
    • G10H2230/221Spint saxophone, i.e. mimicking conical bore musical instruments with single reed mouthpiece, e.g. saxophones, electrophonic emulation or interfacing aspects therefor
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10STECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10S84/00Music
    • Y10S84/07Electric key switch structure
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10STECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10S84/00Music
    • Y10S84/17Cabinets

Definitions

  • Woodwind instruments such as a saxophone, a flute, a clarinet and the like utilize a reed mouthpiece for producing sound with pitch variations as a function of breath-release pressure within the mouthpiece, a hollow tube resonating the produced tones and a plurality of depressable keys actuating valves which modify the effective tube length to produce frequency variations whereby in turn to produce musical notes as a function of the keys depressed by the player.
  • the distance between the mouthpiece and valve is generally several times the wave length of each musical scale.
  • the characteristic of each musical note is determined by the size, shape and the material of which the tube is made. Since the tube design is substantially uniform for woodwind instruments, the fingering is substantially the same for each woodwind instrument.
  • an objective of my invention is to provide a novel electric instrument which includes switch groups and related circuits completed when keys on the instruments are operated with finger action similar to that used in depressing keys of conventional woodwind instruments.
  • I provide an electrically operated musical instrument which includes groups of change-over switches ofa number corresponding to the number of keys which the conventional woodwind instrument has.
  • My instrument also includes groups of sound generators for generating notes of predeter mined frequencies in a given scale, current paths being provided to the generators by selecting combinations of change-over switches governed by combinations of key depressions on the musical instrument to provide notes of predetermined frequency generated by the sound generators.
  • the change-over switches have contacts a first group of which are provided on an external contact panel and the second group of which are provided on an internal contact panel, there being interposed between such external and internal panels an intermediate panel carrying movable contacts of the change-over switches.
  • the movable contacts on the intermediate panel engage the contacts on the internal panel and when released engage the contacts on the external panel.
  • the contacts on the interior and external panels are wired to provide current paths to the sound source generators which produce sounds determined by the finger operation of the keys on the instrument.
  • the external and internal contact panels and the intermediate contact panel therebetween are accommodated in a casing of the musical instrument of the invention.
  • a further objective of the invention is to provide an electrically operated musical instrument which enables production of desired musical tones with simple circuit arrangements.
  • Another objective of the invention is to provide an electrically operated musical instrument which is capable of producing appropriately controlled and delicate musical sounds.
  • a further objective of the present invention is to provide an electrically operated musical instrument which produces a desired musical sound without being burdened by the limitations of size or configuration as in the case of conventional woodwind instruments.
  • FIG. 1 is an entire circuit diagram of the musical instrument embodied according to the invention
  • FIG. 2 is a circuit diagram for actuating a specific generator in accordance with the fingering
  • FIG. 3 is a perspective view of the switch casing
  • FIG. 4 is a cross sectional view of FIG. 3;
  • FIG. 5(A) is a front elevation of the external contact panel for the scale selection
  • FIG. 5(B) is a front elevation of movable contact panel for the scale selection
  • FIG. 5(C) is a wiring diagram of the internal contact panel for the scale selection provided with the wiring on the rear side thereof;
  • FIG. 6(A) is a front elevation of an external contact panel for selecting the octaves
  • FIG. 6(8) is an elevation of the oscillation contact panel for selecting the octaves
  • FIG. 6(C) is a wiring diagram of the internal contact panel for selecting the octaves and provided with the wiring on the rear side thereof;
  • FIG. 7 is a graph showing the musical notes produced by group generators l to 20 and the keys which are depressed to select the sound generators.
  • FIG. 1 is a circuit diagram of the overall system constituting the musical instrument of the invention and includes keys A'Y' inclusive mounted in relation to one another on a casing (see FIG. 3) in a manner to correspond to the spacial relationship of the keys on a woodwind instrument, such, for example, as a saxophone.
  • the system includes switch groups A-Y inclusive, each switch having a movable contact and fixed contacts and being operated by the correspondingly lettered key primed," as will be more fully disclosed hereinafter.
  • the mechanical linking for example of key A with switch A, key B with switch B etc. has not been illustrated in FIG. I in the interest of clarity and to avoid confusion.
  • the system further includes sound wave generators divided into groups such as groups I, 2, 3, 20 as illustrated in FIG. I.
  • the sound wave generators are furthermore divided into groups a, b, c, d, and e. It is to be understood that each of the sound generators in a given vertical column, i.e., group 1 emit the same note, for example, B but with octave differentials, the same applying to the group 2 sound generators which are also designed to emit the same note, for example, B, but with octave differences governed by keys V, W, X and Y and the corresponding switches V, W, X and Y the actuation of which determine which octave is se lected in groups a-e.
  • group I, 2, 3 20 sound generators are vertically oriented and connected in parallel while group a, b, c, d, and e sound generators are horizontally oriented and also connected in parallel.
  • keys A U respectively control the operational state of switches A to U and select as shown in FIGS. l and 7 the numbered groups of sound generators; i.e. group I, 2, 3, 20.
  • keys A U respectively control the operational state of switches A to U and select as shown in FIGS. l and 7 the numbered groups of sound generators; i.e. group I, 2, 3, 20.
  • a key such for example as key B will operate switch B which in turn selects one of the numbered groups of sound generators (group I7) and that operating any one of octave keys V, W, X or Y will operate the corresponding switch V, W, X or Y with consequent selection of any one of groups a, b, c or d or group e if none of keys V to Y is operated.
  • FIG. 7 clearly shows, for example, that group 15 generators may be selected by either operating key G alone or keys E and Q simultaneously.
  • FIGS. 1 and 7 jointly considered illustrate the various notes (B, B, C, D etc.) that can be produced upon depressing one or more of the keys A to U with actuation of corresponding switches A to U, to select one or more of the sound generators l to 20.
  • group 1 sound generators will be selected for producing note B by operating keys E, G, H, L, M, N, O and U;
  • group 2 sound generators 2a, 2b, 2c, will be selected for generating note B by operating keys E, G, H, K, M, N, O and U;
  • group 3 sound generators will be selected for generating note C by operating keys E, G, H, M, N, O and U;
  • group 4 sound generators will be selected for generating note D by operating keys E G, H, J, M, N, O and U;
  • group 4 sound generators will be selected for generating note D by operating keys E, G, H, M, N and 0;
  • group 6 sound generators will be selected for generating a note E by operating keys E G, H, M, N, 0 and T;
  • group 7 sound generators will be selected for generating not E by operating keys E, G, H, M, and N;
  • group 8 sound generators will be selected for generating note F by operating keys E, G
  • the generators generally are arranged in a horizontal grouping including elements a, b, c individual generators in the vertical and horizontal groups being connected in parallel with each other.
  • the generators 13a, I311; I411, 14b; and 15a, 15b are provided for dual key operation in the same octave stage for smooth finger key operation; also generators 16a, l6b; 17a, 17b; and 20a, 20b are provided to generate still one octave higher musical sound.
  • the number of the generators included in the musical instrument is governed by purpose.
  • the scale change-over switches A U of a number equal to that of the keys of a saxophone, control circuit paths between amplifier 113 and the sound generators with which the switches are electrically connected by wiring means.
  • each switch movable contact is either in engagement with one or another of the fixed contacts of the switch, engagement with one of the fixed contacts being effected in the nonoperated position of a key and with the other fixed contact on operation of the key.
  • the musical instrument is normally provided with 21 scale operation keys A U which govern the operational state of the change-over switches A U respectively.
  • the change-over switch A is provided with the contacts 21, 22 and 23, the change-over switch B with a contact 24 functioning as an input terminal and contacts 25 and 26 and likewise the change-over switch U is provided with the contacts 98, 99 and 100. On non-operation of any of the keys A to U, the following contacts will be engaged.
  • switch A is connected to switch B by interconnecting the contacts 21 and 26, switch A to P by interconnecting contacts 23 and 83, switch B to D by interconnecting contacts 25 and 33.
  • the following contacts are interconnected; contacts 27 and contacts 30 and 43; contacts 34 and 35; contacts 36 and 41; contacts 37 and 38; contacts 39 and 47; contacts 40 and 44; contacts 46 and 51; contacts 48 and 68; contacts 49 and 89; contacts 50 and 90; contacts 52 and 53; contacts 54 and 65; contacts 56 and contacts 57 and 59; contacts 60 and 62; contacts 66 and 74; contacts 67 and 77; contacts 69 and 71; contacts 72 and 86; contacts 78 and 200; contacts 79 and 92; contacts 80 and 93; contacts 82 and 95 and between the contacts 96 and 98; contacts 94 and 202 and contacts 32 and 203.
  • contact 64 is connected to the group 1 generators, contact 63 to the group 2 generators, contact 61 to the group 3 generators, contact 58 to the group 4 generators, contact 99 to the group 5 generators, contact 97 to the group 6 generators, contact 81 to the group 7 generators, contact 201 to the group 8 generators, contacts 76 and 94 to the group 9 generators, contact 75 to the group 10 generators, contact 55 to the group 11 generators, contact 51 to the group 12 generators, contacts 45, 70, 73 and 91 to the group 13 generators, contact 87 to the group 14 generators, contacts 31 and 88 to the group 15 generators, contact 42 to the group 16 generators, contact 22 to the group 17 generators, contact 84 to the group 18 generators, contact 28 to the group 19 generators and contacts 29 and 32 to the group 20 generators.
  • each of the current paths to the group 1 to group 12 generators for generating the different notes in a scale is selected by operating the relevant key or keys in the same manner of operating the keys of a saxophone instrument. As will be seen from FIG. 7, the same note may be produced by operating different combination of keys which selectively control the circuit path between a selected sound generator and amplifier.
  • the current path to group 14 or 15 sound generators is established respectively through switch E (for group 14) or G or E, Q, (for group 15) by operating keys E or G or E, Q respectively.
  • switch E for group 14
  • G or E, Q for group 15
  • keys E or G or E, Q respectively.
  • FIG. 7 it will be seen from FIG. 7 that to switch from sound generator 14 to sound generator 15 it is only necessary to depress the key Q in addition to key E which latter key selects the group 14 generators.
  • the additional key N as will be seen from the showing in FIG. 7.
  • FIG. 2 FIGURES Figure illustrates the selection of, for example, group 4 generators which emit the note D.
  • This note will be generated by depressing keys E, G, H, .I, M, N, O and U which selectively operate switches E, G, H, .l, M, N, O and U by closing contacts 35 and 36, contacts 47 and 49, contacts 50 and 52, contacts 56 and 58, contacts 65 and 67, contacts 77 and 79, contacts 80 and 82 and contacts 98 and 100.
  • the group 4 generators will be selected via contacts 24-25-33-34-35-37-38-39-47-49-89-90-50-52-53-54- 65-67-77-79-92-93-80-82-95-96-98-100-56-58.
  • two current paths are provided for the group 9 generators, the group 15 generators and the group 20 generators while three current paths are provided for the group 13 generators.
  • the keys E, G, H and M and E, G, H, N are sequentially operated.
  • the keys are made by for example fingering keys E, G, H and M (note F) instead of E, G, H and N (note G") the error can be corrected so that the note F will not be sounded by merely depressing key S (along with keys E, G, H and M; see FIG. 7).
  • multiple current paths are provided for the group 14 generators, the group 15 generators and for the group 20 generators.
  • the octave change-over switches V, W, X, and Y are operatively connected to the octave operation keys V, W, X and Y to provide current paths to the group a generators, the group b generators, the group c generators, the group d generators and the group e generators of the octave stage.
  • the change-over switch V is provided with the contacts 101, 102 103, the change-over switch ⁇ V with the contacts 104, 105 and 106, the change-over switch X with the contacts 107, 108 and 109 and the change-over switch Y with the contacts 110, 111 and 112.
  • FIG. 2 illustrates the circuit in which the group 4 generators are operatively selected by the scale changeover switches E, G, H, .l, M, N, O and U to produce the tone D. If the octave group b is to be selected (generator 4b) the octave change-over switch is operated to produce a note at the octave level in the desired group b. At this time, current is supplied to the amplifier 113 through contacts 106-104-102-101.
  • the reference numeral 114 identifies a main switch, 115 a speaker, II6 an interrupting switch for producing a discontinuous sound when operating the musical instrument and 117 is a variable resistor for controlling the frequency of current supplied through the intermediary of switch 16 to the individual generators Ia, lb ,2a, 2b and 20a, 20b. 20c.
  • the interrupting switch 116 and the variable resistor 117 are adapted to convert the mechanical motion into electrical signals.
  • there may be provided an independent mouthpiece (not shown) corresponding to the reed mouthpiece of the wind instrument which may be provided with an interrupting switch 16 operated by pressure of the user's breath and the variable resistor 117 may be made responsive to the upward and downward movements of the jaw of the player. Thereby the mechanical movement of the interrupting switch and resistor I17 will affect the current flow to the sound generators.
  • element 117 might be provided in form of a variable impedance rather than as a variable resistor.
  • FIG. 2 illustrates the circuit for selecting the group 4 generators for producing the note D by depressing, as shown in FIG. 7, keys E, G, H, J', M, N, O' and U which respectively operate switches E, G, H, J, M, N, O and U.
  • the FIG. 2 circuits form part of the circuitry shown in FIG. 1 and can be traced in FIG. 1 via contacts 24, 25, 33, 34, 35, 37, 38, 39, 47, 49,89, 90, 50,52, 53, 54, 65, 67, 77, 79, 92, 93, 80, 82, 95, 96, 98, I00, 56 and 58.
  • FIG. 1 illustrates the circuit for selecting the group 4 generators for producing the note D by depressing, as shown in FIG. 7, keys E, G, H, J', M, N, O' and U which respectively operate switches E, G, H, J, M, N, O and U.
  • the FIG. 2 circuits form part of the circuitry shown in FIG.
  • FIG. 1 shows the required connections between change-over switches A to U and the group of sound generators 120 to enable selection of any other sound generator in the series I-20 by depressing the keys A to U singly, in combination, or not at all in accordance with the showing in FIG. 1.
  • FIG. 1 also shows the required connections between the change-over octave switches V to Y and the group of sound generators a to e to enable selection of a predetermined sound generator in the series a to e by depressing keys V to Y respectively, singly, in combination or not at all.
  • the circuit for selecting predetermined sound generators in groups 1 to 20 and in groups a to e via changeover switches are shown in FIG. 1.
  • the circuits for each sound generator may be traced in the same manner as the circuit was traced for the group 4 generators. In each instance the circuit may be traced (ignoring elements 113, I16, 117 which are in the circuit path) starting with switch B by way of contact 25 if key B is not operated and by way of contact 26 if key B is operated.
  • FIG. 1 shows the connections made by the movable contact of each switch with the fixed contacts thereof when the keys associated with said switches are not operated.
  • FIGS. 3 to 6 illustrate a switch casing which accommodates the keys, switches, current paths and the generators.
  • an external contact panel I18 which carries the contacts of switches A to U engaged by the movable contacts during non-operation of keys A to U.
  • An internal panel 119 carries contacts of switches A to U which are engaged by the movable contacts upon actuation of keys A to U'.
  • an intermediate contact panel having resilient movable contacts which are normally in engagement with the contacts on panel 118 but moved therefrom when keys A to U are depressed to urge the resilient contact members instead into en gagement with the contacts on internal panel 119.
  • FIG. 5 The manner in which the contacts on the different panels are connected by leads, or other wiring means, is illustrated in FIG. 5.
  • the contact panels 118, 119 and 120 are each wired at their rear sides.
  • the contacts on panel 118 shown in FIG. 5A are adapted to be engaged on non-operation of the keys, and the contacts on panel 119 are adapted to be engaged on operation of the keys.
  • the movable contacts mounted on a movable panel 120 as shown in FIG. 5B are adapted to be interposed between panels 118 and 119.
  • the panels when assembled in superposed alignment provide the changeover switches A to U as shown in FIG. 1. Printed circuit panels are preferred for this purpose.
  • An input terminal for each generator in the respective group may selectively be provided either in the external contact panel 118 or in the internal contact panel 119. However, for ease of wiring, it is preferred to provide the terminals on the internal contact panel 119.
  • the operation of the movable contact shown in FIG. 58 serving to switch-over switches A to U may be effected as disclosed, by depression of keys A to U.
  • the keys A to U are pivotally carried by the switch casing 121 which accommodates the external contact panel 118, the internal contact panel "9 and the movable contact panel 120 interposed therebetween, the keys A to U being arranged as to conform to the spatial positions of, for example, the keys of a saxaphone.
  • the keys A to U instead of arranging the keys A to U on casing 121 as shown in FIG.
  • a projecting element 122 attached to individual operating keys A to U is engaged with an upper side of the movable contact panel 120 to move the movable contacts carried thereby, on depression of keys A to U, from engagement with the contacts on the external contact panel 118 into engaging relation with the contacts on the internal contact panel 119 to thereby switch the current path.
  • the movable contacts on the contact panel 120 return to normal position, wherein the contacts again engage the contacts on the external panel, upon releasing the keys, due to their resilience to re-establish the initial current path.
  • a return spring 123 is mounted to the keys A to U for returning the same to their normal position upon release of finger pressure.
  • the scale operation keys D, G. M and N are intended to operatively actuate plural sets of contacts 30 and 33", 41 and 47'; 65' and 71, 74 and 77 each set being operated simultaneously.
  • FIG. 6 shows the external octave-selection contact panel 124, the internal octave panel 125 and the intermediate contact panel 126 carrying movable contacts which form switches V Y, shown in FIG. 1, for selecting group a to e generators.
  • the external contact panel 124 is provided with contacts 101, 105', I08 and 111' which are normally engaged by the movable contacts in the nonactuated position of the keys.
  • the internal contact panel 125 is provided with contacts 103', 106', 109' and 112' which are engaged by the movable contacts on operation of the keys.
  • the movable contact panel 126 which is provided with movable contact 101, 104', 107 and These contacts are urged upon the depression of the octave operation keys V, W, X and Y from engagement with contacts on panel 124 and into engagement with the contacts on panel 125.
  • the casing l2l is proportioned like a saxaphone and is provided with the operation keys A to U' related to one another to correspond to the location of saxaphone keys on a saxaphone instrument.
  • An electrically operated musical instrument including an electrical system comprising a plurality of keys having a normal and an actuated position, a plurality of electrically interconnected change-over switches operated by said keys, an amplifier, and sound generators electrically connected to said switches for selective connection to said amplifier as a function of switch position, the improvement being characterized in that said change-over switches are provided as an assembly comprising a first contact panel having a first plurality of fixed contacts, a second contact panel having a second plurality of fixed contacts and an intermediate contact panel in superposed alignment with said first and second panels and carrying movable contacts adapted to engage the contacts on the first panel in the normal position of the keys and adapted to engage the fixed contacts on the second panel on moving the keys to their actuated position.
  • An instrument according to claim 1 including a casing which carries said keys and houses said switches and said sound generators.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Electrophonic Musical Instruments (AREA)
  • Rotary Switch, Piano Key Switch, And Lever Switch (AREA)
US472688A 1973-05-24 1974-05-23 Electrically operated musical instrument Expired - Lifetime US3897708A (en)

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US05/571,626 US4015092A (en) 1973-05-24 1975-04-25 Multiple switch assembly for electrically operated instrument

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Cited By (4)

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EP0322846A3 (en) * 1987-12-28 1990-02-14 Casio Computer Company Limited Electronic wind instrument with a pitch data delay function
US20070017346A1 (en) * 2005-07-25 2007-01-25 Yamaha Corporation Tone generator control apparatus and program for electronic wind instrument
US20070261540A1 (en) * 2006-03-28 2007-11-15 Bruce Gremo Flute controller driven dynamic synthesis system
US20120103173A1 (en) * 2009-03-31 2012-05-03 Da Fact Human-Machine Interface

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JPS5654595Y2 (en]) * 1975-10-20 1981-12-19
JPS6224311Y2 (en]) * 1979-08-04 1987-06-20
JPH0633514Y2 (ja) * 1986-09-12 1994-08-31 忠孫 樫本 サクソフオ−ン演奏装置

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US3651242A (en) * 1970-06-15 1972-03-21 Columbia Broadcasting Syst Inc Octave jumper for musical instruments
US3754495A (en) * 1970-10-27 1973-08-28 M Honegger Sounding note board for music instruction
US3715444A (en) * 1971-01-04 1973-02-06 Tonus Inc Switching system for keyboard
US3767833A (en) * 1971-10-05 1973-10-23 Computone Inc Electronic musical instrument
US3797357A (en) * 1972-09-20 1974-03-19 Wurlitzer Co Electronic musical instrument mechanical construction

Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0322846A3 (en) * 1987-12-28 1990-02-14 Casio Computer Company Limited Electronic wind instrument with a pitch data delay function
US20070017346A1 (en) * 2005-07-25 2007-01-25 Yamaha Corporation Tone generator control apparatus and program for electronic wind instrument
US7470852B2 (en) * 2005-07-25 2008-12-30 Yamaha Corporation Tone generator control apparatus and program for electronic wind instrument
US20070261540A1 (en) * 2006-03-28 2007-11-15 Bruce Gremo Flute controller driven dynamic synthesis system
US7723605B2 (en) * 2006-03-28 2010-05-25 Bruce Gremo Flute controller driven dynamic synthesis system
US20120103173A1 (en) * 2009-03-31 2012-05-03 Da Fact Human-Machine Interface

Also Published As

Publication number Publication date
JPS5010116A (en]) 1975-02-01
FR2231066B1 (en]) 1978-08-11
JPS5427134B2 (en]) 1979-09-07
FR2231066A1 (en]) 1974-12-20

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